Service

3D Workflow

Production-ready files, no back-and-forth

The problem

Your templates are cobbled together from photos and rough plans. When content arrives on site, it never matches the actual surface. The field technician sends back corrections, you rework under pressure, back-and-forth piles up.

The result: wasted time, stress, and a client who doubts your production pipeline.

The solution

I handle the entire 3D preparation pipeline, from the initial scan to delivery of files that work on the first try.

What I do for you

3D scanning of the projection surface

Modeling optimized for your needs

Clean, usable UV unwrapping

2D pattern and After Effects template creation

Production-ready pixel map preparation

Technical documentation

How it works

Brief

We define your needs and expected deliverables together

3D Scan

I survey the surface

Modeling

I prepare files optimized for your workflow

Delivery

You receive production-ready, documented files

Why work with me

I master the entire pipeline, from scan to delivery

I understand your needs quickly, so turnaround is fast

Fewer back-and-forth, more peace of mind

15 years of experience on hundreds of projects (events, immersive, international)

Delivered formats: .OBJ, .FBX, .C4D, .BLEND, .PSD (templates), .AEP (After Effects), UV maps PNG/EXR

Who it's for

Creative studios

Technical service providers

Mapping projects

Events

LED walls

"In the most ambitious events, certain collaborations between passionate professionals leave a lasting mark and truly make a difference. Working alongside Baptiste, beyond benefiting from his deep kindness, always guarantees results that match our ambitions."

Xavier Mailliez

Co-founder Holymage

A real case: preparing 3000 sqm of projection surfaces

Context

The Museum of Art and Light asked for projection files usable across 3000 sqm of surfaces, including complex volumes. The content studio needed reliable templates to produce the visuals.

The challenge

Templates patched together from photos and rough plans never match the real support. On 3000 sqm and more than a hundred projectors, the slightest gap turns into endless back-and-forth between the studio and the field.

My approach

I took charge of the whole chain: 3D scan of the volumes, optimised modelling, clean UV unwrap, After Effects templates and a ready-to-use pixelmap. The studio received files that fit on the first try.

Result

The content produced lined up with the real surfaces with no last-minute retouching. The production pipeline held, and the client did not have to doubt the chain.

What you get

The 3D scan of the projection surface, at real scale

A 3D model optimised for your workflow, not a polygon soup

A clean UV unwrap, usable directly

The After Effects templates and 2D patterns ready for the content studio

The pixelmap prepared, ready to load into the media server

Technical documentation, and the formats .OBJ, .FBX, .C4D, .BLEND, .PSD, .AEP

A test render that proves the UVs fit before content production

Frequently asked questions

Why a 3D scan rather than photos and plans?

Because rough photos and plans never match the real support. A 3D scan gives a geometry at scale, usable directly. That is what removes the back-and-forth between the studio and the field.

What formats do you deliver in?

The standard formats of the trade: .OBJ, .FBX, .C4D, .BLEND for the 3D, .PSD for the templates, .AEP for After Effects, and the UV maps in PNG or EXR. I adapt to your pipeline.

What types of surfaces does it work for?

Facades, architectural volumes, scenographies, objects, LED walls. As soon as you need a precise projection file, the 3D scan is relevant.

Do you work alone or with my studio?

With your studio. I prepare the technical files, your studio produces the creative content. The initial brief is there to pin down exactly what your team needs.

How long does preparing a project take?

A simple scan and its modelling go out within a few days. A complex project with several volumes and a careful UV unwrap takes one to two weeks. The initial brief is there to set the precise deadline, and I hold to it.

Secure your production from the first file

Contact me